-certain questions should be asked before beginning photography or video documentation
-the discussion of these questions takes place on day three
Pocha workshops often extend into the social life of the group
-informal gatherings should take place which can spark creativity
-this also helps the group to bond with one another
Retrieved from: http://dailytwocents.com/never-talk-about-these-things-during-an-informal-business-gathering/
Pocha workshops involve a critical component
-the creative process should be analyzed as a group
-analyzing with the group allows for a sense of identity and clarity
-this also allows the group to work out any problems between themselves or the piece
Retrieved from: http://driverlayer.com/img/analyze/140/image
A final note
-don't do drugs before attending the workshop (save them for another time)
Important notes to participants when the goal of the workshop is to create a full production
-there are other roles for people than just performing but they should do the same exercises as the performers
-the artists, producers, and participants decide who will perform with up to 75% of the participants being performers
-everyone has there own assigned job to do and they all come together to make up the full performance
-the group of performers and those not performing work together by overlapping at first and then later on they work hand in hand
Retrieved from: http://www.abc.net.au/news/2012-07-28/performers-dance-during-opening-ceremony/4160994
Performance exercises, rituals, and games to cross borders
-performance mode: "a heightened awareness of present time paired with a sense of total body performativity".
-it is important to be able to gather and control your energy
-there are physical, perceptual, poetic, conceptual, and creative exercises
-these exercises help the group to bond more closely as well as develop performance vocabulary, a high level of trust, and an understanding of each member
Retrieved from: http://thephoenix.com/boston/arts/133076-thespian-games-at-the-theater-project/
By; Samantha Lassiter
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